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NEW POSTS BELOW
Erik Baker in the Boston Review:
One of the courses I teach is called “Science, Activism, and Political Conflict,” and one of my ambitions with that course is to show students that both of these things—activism and political conflict—are normal in science, and in academic life more generally. That’s a theme that we like to emphasize when speaking in “defense” of student protest. It’s part of a storied tradition, it’s respectable, it’s normal. But in order to explain why I think what you all are doing is so important, I want to start today by saying that actually, student protest is nowhere near normal enough in the history of higher education in this country. The real scandal is not that there has been student protest. It is that there has not been much, much more of it.
More here.
Jeremy Hsu in New Scientist:
An artificial intelligence system has proven it can save lives by warning physicians to check on patients whose heart test results indicate a high risk of dying. In a randomised clinical trial with almost 16,000 patients at two hospitals, the AI reduced overall deaths among high-risk patients by 31 per cent.
“This is actually quite extraordinary,” says Eric Topol at the Scripps Research Translational Institute in California, who was not involved in the research. “It’s very rare for any medication to [produce] a 31 per cent reduction in mortality, and then even more rare for a non-drug – this is just monitoring people with AI.”
More here.
Hannah Ritchie at Sustainability By Numbers:
A Moloch Trap is, in simple terms, a zero-sum game. It explains a situation where participants compete for object or outcome X but make something else worse in the process. Everyone competes for X, but in doing so, everyone ends up worse off.
It explains the situations with externalities or the preference for short-term gains at the sacrifice of the long-term future.
The problem is that it’s incredibly hard for any “player” to break the trap. If they do, they will lose out in the short term (and they might still be exposed to the downsides in the long term). Everyone is stuck in a “game” or “race” that they don’t want to be in, but it’s impossible to stop.
More here.
KC Hoard at The Walrus:
Court and Spark starts in a familiar Jonian fashion: mournful piano chords, poetic lyrics, Mitchell’s skyscraper voice. “Love came to my door with a sleeping roll and a madman’s soul,” she coos. “He thought for sure I’d seen him dancing in a river in the dark, looking for a woman to court and spark.” But when she unfurls the title of the album, something unexpected appears: a stuttering hi-hat. A beat in a Joni Mitchell song. And with that rhythm, the Joni of the past was gone. Joni the Confessional Poet, Joni the Selfish and Sad, Joni the Lonely Painter was no more.
By 1974, Mitchell had grown tired of her old style. “I feel miscast in some of the songs that I wrote as a younger woman,” she told CBC Radio a couple weeks after Court and Spark’s release. “You know, you wouldn’t ask Picasso to go back and paint from his Blue Period.” She was done playing the starry-eyed hippie. She was tired of singing dirges. She wanted to find new, challenging, exciting ways to write pop music.
more here.
Jackson Arn at The New Yorker:
Many other fine pieces in the Central Exhibition are textile-based: a dense, earthy slab of threads by the Colombian Olga de Amaral, who turns ninety-two this year; a selection of embroidered burlap pieces by the anonymous Chileans known as Arpilleristas; large, cool compositions by Susanne Wenger, who spent most of her long life in Nigeria, practicing the Yoruba religion and mastering batik, the art of wax-resist dyeing. Her pieces, which show mortals and deities floating side by side, stick to the same spiky patterns and subdued hues but never retrace their steps; you could imagine them continuing forever, and might well want them to. If not, walk a few feet to the exhibition’s other main batik specialist, Ṣàngódáre Gbádégẹsin Àjàlá, who passed away in 2021. His creations are as religiously inclined as Wenger’s—he was her adopted son—but with a livelier clamor of bodies pressed together. There’s almost too much to savor; the intricate coloring, combined with pale spiderweb shading, gives the figures a pimpled texture I can’t remember seeing in art before and now can’t stop noticing everywhere. Àjàlá, Wenger, and the rest of the fibre brigade may be the snappiest retort to the gripe that there are too many dead artists this year: when we’re dealing with textiles, one of the oldest visual art forms and still backlogged with brilliance, the distinction between new and old stops mattering so much. Good is good, even if it takes decades for anyone to notice.
more here.
Emily Joshu in Eating well:
Chances are, if you have put on a few pounds, the cause is deeper than eating too much junk food or skipping one too many workouts. Chronic, low-grade inflammation that swells in the body is to blame for this gain. And the relationship is cyclical. Weight and inflammation go hand in hand, and working to maintain a healthy weight through diet, exercise, sleep and stress management can help tame inflammatory markers as well.
Inflammation, however, comes in two varieties: acute and chronic. Most of us are accustomed to acute inflammation, such as after sustaining an injury. This temporary response doesn’t serve as a catalyst for serious health conditions but actually protects the body.
Chronic inflammation manifests as a slow burn in the body. “Inflammation is designed so once your body needs some healing, inflammation rushes in, but it’s only supposed to be short term. Chronic inflammation is more subtle, and it’s caused by irritation in the body,” says Carolyn Williams, Ph.D., R.D., author of Meals That Heal. “And that may be environmental things, that may be food-related things, that may be stress, that may be lack of sleep. Just about any kind of irritation to the body can trigger subtle inflammation.” Williams compares chronic inflammation to a fire in the body that will continue to grow without intervention. Research suggests that reducing chronic, low-grade inflammation may even be as crucial a component as diet and activity, Williams says. And the relationship goes both ways.
More here.
The day, Mubarak Ali
Trailing his father
Traversing the lanes of Tonk
In Rajasthan
Boarded the train for Karachi
It rained heavily
All that rain
Mubarak Ali
Hoarded in his tiny hands
And carried with him
He felt as if nowhere else
The water would be as sweet
Time passed
Mubarak Ali prospered
Became a father himself
But continued drinking the same water
That he had hoarded and carried with him
Then, one day
That water ran low
Mubarak Ali returned to Tonk
This time
He was met in the lanes
With blistering heat
Heat and drought
It had not rained in Tonk this time
by Harbans Mukhia
from Kuchh Udaas Nazmein [Some Sad Poems]
Published by Anjuman Taraqqi Urdu (Hind), New Delhi
Translation: Anjum Altaf
Forthcoming April 2024, ISBN : 978-81-970897-3-2
Price Rs. 300
Mubarak Ali is a renowned and highly respected historian in Pakistan.
Biographical information for Professor Harbans Mukhia is here.
Original Urdu @ More
On this night
……….. I remember Nachshon
……….. who was not Moses who
………………….. walked into the Red Sea
………………….. and called for God
……………………………………….. to meet him there
On this night
………….I am only a body and you
………………………………………….. are only a body
On this night
………………….. nothing is hidden
….. ………………only the afikomen
On this night
…………… ……..God was here and I
……………………………………………………. I knew it
by Bev Yockelson
from Poetry, February 2019
afikomen: The origin of the term is obscure.
a plausible explanation is that it comes from a
Greek word for dessert.
Ed Yong in the New York Times:
In some birding circles, people say that anyone who looks at birds is a birder — a kind, inclusive sentiment that overlooks the forces that create and shape subcultures. Anyone can dance, but not everyone would identify as a dancer, because the term suggests, if not skill, then at least effort and intent. Similarly, I’ve cared about birds and other animals for my entire life, and I’ve written about them throughout my two decades as a science writer, but I mark the moment when I specifically chose to devote time and energy to them as the moment I became a birder.
Since then, my birder derangement syndrome has progressed at an alarming pace.
More here.
Rahul Rao in Scientific American:
Few computer science breakthroughs have done so much in so little time as the artificial intelligence design known as a transformer. A transformer is a form of deep learning—a machine model based on networks in the brain—that researchers at Google first proposed in 2017. Seven years later the transformer, which enables ChatGPT and other chatbots to quickly generate sophisticated outputs in reply to user prompts, is the dynamo powering the ongoing AI boom. As remarkable as this AI design has already proved to be, what if you could run it on a quantum computer?
That might sound like some breathless mash-up proposed by an excitable tech investor. But quantum-computing researchers are now in fact asking this very question out of sheer curiosity and the relentless desire to make computers do new things. A new study published recently in Quantum used simple hardware to show that rudimentary quantum transformers could indeed work, hinting that more developed quantum-AI combinations might solve crucial problems in areas including encryption and chemistry—at least in theory.
More here.
Joseph E. Stiglitz at Literary Hub:
The system that evolved in the last quarter of the twentieth century on both sides of the Atlantic came to be called neoliberalism. “Liberal” refers to being “free,” in this context, free of government intervention including regulations. The “neo” meant to suggest that there was something new in it; in reality, it was little different from the liberalism and laissez-faire doctrines of the nineteenth century that advised: “leave it to the market.”
Indeed, those ideas held such sway even into the twentieth century that, decades earlier, the dominant economists had said “do nothing” in response to the Great Depression. They believed the market would restore itself relatively quickly as long as the government didn’t fiddle around and mess things up.
What really was new was the trick of claiming neoliberalism stripped away rules when much of what it was doing was imposing new rules that favored banks and the wealthy.
More here.
Daniel Bessner in Harper’s Magazine:
In 2012, at the age of thirty-two, the writer Alena Smith went West to Hollywood, like many before her. She arrived to a small apartment in Silver Lake, one block from the Vista Theatre—a single-screen Spanish Colonial Revival building that had opened in 1923, four years before the advent of sound in film. Smith was looking for a job in television. She had an MFA from the Yale School of Drama, and had lived and worked as a playwright in New York City for years—two of her productions garnered positive reviews in the Times. But playwriting had begun to feel like a vanity project: to pay rent, she’d worked as a nanny, a transcriptionist, an administrative assistant, and more. There seemed to be no viable financial future in theater, nor in academia, the other world where she supposed she could make inroads.
For several years, her friends and colleagues had been absconding for Los Angeles, and were finding success. This was the second decade of prestige television: the era of Mad Men, Breaking Bad, Homeland, Girls. TV had become a place for sharp wit, singular voices, people with vision—and they were getting paid. It took a year and a half, but Smith eventually landed a spot as a staff writer on HBO’s The Newsroom, and then as a story editor on Showtime’s The Affair in 2015.
More here.
Adam Frank at Aeon Magazine:
Suddenly, everyone is talking about aliens. After decades on the cultural margins, the question of life in the Universe beyond Earth is having its day in the sun. The next big multibillion-dollar space telescope (the successor to the James Webb) will be tuned to search for signatures of alien life on alien planets and NASA has a robust, well-funded programme in astrobiology. Meanwhile, from breathless newspaper articles about unexplained navy pilot sightings to United States congressional testimony with wild claims of government programmes hiding crashed saucers, UFOs and UAPs (unidentified anomalous phenomena) seem to be making their own journey from the fringes.
What are we to make of these twin movements, the scientific search for life on one hand, and the endlessly murky waters of UFO/UAP claims on the other? Looking at history shows that these two very different approaches to the question of extraterrestrial life are, in fact, linked, but not in a good way. For decades, scientists wanting to think seriously about life in the Universe faced what’s been called the ‘giggle factor’, which was directly related to UFOs and their culture.
more here.
Ed Simon at Poetry Magazine:
Because the likelihood of Li Bai dying from simple infirmity in 762 isn’t as strange and beautiful as the traditional story of his demise—that he drowned in the Yangtze River while drunkenly trying to embrace the moon’s reflection—the apocryphal tale is to be preferred. The greatest of classical Chinese poets deserves a death commensurate with his wild verse. Dying because he wished to possess the moon has about it the necessary resonance of parable: this is what the mystic is willing to do to merge with the infinite. “The birds have vanished down the sky. / Now the last cloud drains away,” Li Bai writes in the first of two couplets of “Zazen on Ching-t’ing Mountain” as translated by Sam Hamill, concluding: “We sit together, the mountain and me, / until only the mountain remains.”
This is startlingly religious verse. The disintegration of the soul, the extinguishing of the ego, the snuffing of the person is required so that one becomes a part of the cosmos’ warp and weft. It’s erotic verse as well, as only the truest of devotional poems can be, because it presupposes the desire to lose oneself in another, to twist into something greater.
more here.
Cassandra Willyard in Nature:
US drug regulators dropped a bombshell in November 2023 when they announced an investigation into one of the most celebrated cancer treatments to emerge in decades. The US Food and Drug Administration (FDA) said it was looking at whether a strategy that involves engineering a person’s immune cells to kill cancer was leading to new malignancies in people who had been treated with it.
Bruce Levine, an immunologist at the University of Pennsylvania Perelman School of Medicine in Philadelphia who helped to pioneer the approach known as chimeric antigen receptor (CAR) T-cell therapy, says he didn’t hear the news until a reporter asked him for comments on the FDA’s announcement.
“Better get smart about it quick,” he remembers thinking. Although the information provided by the FDA was thin at the time, the agency told reporters that it had observed 20 cases in which immune-cell cancers known as lymphomas had developed in people treated with CAR T cells. Levine, who is a co-inventor of Kymriah, the first CAR-T-cell therapy to be approved, started jotting down questions. Who were these patients? How many were there? And what other drugs had they received before having CAR-T-cell therapy?
More here.
Elle Griffin at The Elysian:
In my essay “No one will read your book,” I said that publishing houses work more like venture capitalists. They invest small sums in lots of books in hopes that one of them breaks out and becomes a unicorn, making enough money to fund all the rest.
Turns out, they agree!
Every year, in thousands of ideas and dreams, only a few make it to the top. So I call it the Silicon Valley of media. We are angel investors of our authors and their dreams, their stories. That’s how I call my editors and publishers: angels… It’s rather this idea of Silicon Valley, you see 35 percent are profitable; 50 on a contribution basis. So every book has that same likelihood of succeeding.
— Markus Dohle, CEO, Penguin Random House
Those unicorns happen every five to 10 years or so.
More here.